Priced by clip length and resolution, shown before you confirm. Failed jobs refund automatically.
The video face swap at Web3Nav123 re-casts short clips with the face your lodestar card keeps, so one performer can carry footage she never shot. It is priced per job by duration, from 31 credits, with the exact figure printed before you confirm. The consent rule is the same as everywhere in this studio: the face is your fictional character’s, your own, or one you hold documented consent for.
Video multiplies everything a still holds — including mistakes. Prove the pairing on a still first, then on the shortest clip the set allows, and judge both before any long footage runs. A pairing that survives motion at three seconds usually survives it anywhere.
Run the image swap on the clip’s own first frame. If the pairing fails still, it will fail moving.
Swap the briefest version and watch it whole, at full size, before longer cuts are booked.
With the pairing proven in motion, run the series in one sitting so nothing about the source changes midway.
A catalogue that reads as one woman’s work, however the footage began.
Previews and openers re-cast to the character the pack actually contains.
Clips with the right movement and the wrong face, brought back to your performer.
“The three-second cut, swapped and watched whole before the full clip is booked.”
Motion problems announce themselves early; short proofs are cheap listening.
“A clear frontal source portrait, as for stills — video asks more of it, not less.”
The cleaner the source, the longer the clip can run before the hold weakens.
| Clip | Expectation |
|---|---|
| Short, face to camera | The strongest hold; prove here |
| Longer, turning head | Judged at the turns, where swaps weaken first |
| Face leaving frame | Re-entry is the hard moment; watch it twice |
| Unconsented real face | Refused — the guard is absolute |
Per job by duration, from 31 credits. The exact figure is printed before you confirm the job.
Still proofs cost little and catch pairings that motion would only make worse. The order — still, short clip, set — is the house routine.
Your fictional characters, your own, or documented consent. Real people are never impersonated.
Short clips, chosen at brief time. Longer footage is booked after the short proof passes.
Yes — sources and results rest private in your account until you publish a result yourself.
Every job in this studio is judged the same way, and the video face swap is no exception: against the lodestar card, at the lodestar stand, before any finishing credit is spent on it. The card is five lines long and takes a minute to paste; the judgement it makes possible is the difference between a series that reads as one woman’s work and a folder of near-misses. When a result fails the card, the house answer is never to spend more on it — it is to return to the tool that made it, with the card pasted and the brief corrected.
Makers who keep that order — card first, tools second, finishing last — find their budgets behaving: standard work carries the volume, repairs stay rare and deliberate, and the expensive tools are booked only for pieces that have already earned them. That is the whole economy of Web3Nav123, and it is printed on the pricing page for anyone to check before they begin.
Drafts, edits, animation and finishing share one credit balance and one private library. Start with the piece you need today.
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